Sur le même système que Street View, Google a développé Google Art Project, une série de visites virtuelles des plus grands musées du monde. Dix-sept établissements, dont le château de Versailles, le Metropolitan Museum de New York et la Tate Britain de Londres, ont été numérisés pour cette promenade virtuelle. googleartproject.com
CLR N° 044 features two tracks of Lucy And Xhin, both individually outstanding artists and together at the same time one of the truly interesting production teams of our time. Over the last years, Xhin from Singapore has become known worldwide as one of the most popular Asian Techno artists. At the same time Lucy´s career, which brought him from Italy to Paris and finally to Berlin, has been developing at breakneck-speed since his first releases in 2007. Heavily supported by many renowned artists in the Electronic Music business, their individual productions and collaborations have never failed to thrill their audience. Their music has been described as deep and hypnotic, energetic and gliding, artistic and experimental. CLR is very happy to release two absolutely faultless and haunting tracks of this highly promising production team. Prepare for cutting edge Techno by Lucy And Xhin, somewhere between creative chaos and futuristic genius.
Le spot TV pour le parfum d’Yves Saint Laurent Belle d’opium (groupe L’Oréal) a été interdit au Royaume-Uni, a annoncé le 2 février l’Advertising Standards Authority, gendarme britannique de la publicité. Ce clip (voir le spot), qui montre l’actrice Mélanie Thierry en train de danser sensuellement et de pointer d’un doigt son avant-bras avant de faire lascivement courir sa main sur son bras, est accusé de simuler la prise de drogue. Treize personnes s’étaient plaintes de cette publicité chez nos voisins britanniques.Le 13h de la com
FreQ Nasty Born in Fiji and raised in New Zealand, breakbeat pioneer FreQ Nasty is widely-acknowledged by critics for consistently breaking boundaries with his music, from his classic breaks tunes such as « Boomin Back Atcha » and « Move Back, » to remixes of pop icons like Fatboy Slim, Kelis and KRS-One. At the same time, FreQ is receptive to all that surrounds him; for example, his move to London and immersion in its developing scenes in the 80s resulted in seminal releases on Botchit & Scarper. Forward thinking and progressive, his releases evidenced a sign of the fast- moving times. These days, FreQ Nasty is staying one step ahead of the ongoing, hype-fueled evolution of electronic music with his contributions to the Futurestep sound. The recently released FABRICLIVE.42 mix album is evidence of this shapeshifting sound: with it, FreQ takes on the bass heavy stomp of L-Vis 1990’s UK take on Baltimore house, the blistering shatter of TRG, and several of his own storming productions, including Creator, a co-production with Switch on a Santigold tune released in 2007. FreQ is also well-known in the music scene for his social activism. In early 2008, he launched Giveback.net, a socially-conscious site featuring music campaigns, whereby musicians donate music in support of non-profit « action campaigns ». FreQ_Nasty_-_Dread_At_The_Controls_Radio_EditMuti Music File under: Dubstep / Drumstep / Futurestep / Garage
LA LIGNE CORE SERIES D’EASTPAK PROPOSE SEPT STYLES E?TERNELS, AUX FINITIONS DE QUALITE? ET DOUBLURE A? MOTIFS, COMPOSE?S D’ESPACES DE STOCKAGE EXTRE?MEMENT PRATIQUES, NOVATEURS ET AVANT TOUT E?LE?GANTS. Boucles caoutchoute?es, sangles de ceinture de se?curite?, et garnitures en cuir ne donnent pas seulement aux sacs et aux bagages un look tre?s raffine?, ils e?tablissent e?galement de nouvelles normes pour le co?te? pratique et la fonctionnalite?. Te?le?phone Lecteurs : 00 377 92 05 85